I don’t know if it’s the same in other European countries, but the ball season in Slovakia traditionally starts after Epiphany (6th January), and lasts until Shrove Tuesday, which marks the beginning of Lent.
I wasn’t originally planning to write about clothes on this site (I’m far from a fashionista), but when I spotted this fabulous dress in my news feed this week, I knew I had to share it with you. And not just because it’s so divinely beautiful. It also touched my heart.
The dress was sported by one of the guests at the opening of the 2017 ball season in the Slovak Opera House in Bratislava. The finely embroidered top and the headpiece both come from a traditional folk costume representing Očová village in the heart of Slovakia. The skirt was designed specifically for the occasion to complement the top and give the whole outfit a more contemporary look. Yes, it wonderfully bridges our traditional arts with today’s fashion trends, as the model – the Slovak writer, journalist and presenter – wrote on Instagram. I didn’t know Tamara in person, but I contacted her immediately, and she happily gave permission to publish the photos on this site. I understood she is a lover of all things Slovak, especially traditional folk dresses, and as you can see in the pictures, she knows how to wear them.
This is how Tamara describes the outfit she wore for the prominent ball in the Opera House:
The top and the headpiece are more than 80 years old – they were borrowed from a private collection of two Slovak enthusiasts who have preserved traditional folk costumes from around Slovakia for decades. The intricate embroidery has been done by hand with a special hook-shaped needle, and is typical for the Podpoľanie (Podpolyanyie) region, where the village of Očová lies.
If you wonder how the ‘carved’ embroidery on the airy sleeves is done, here is the answer: The patterns are first sewn on linen by hand, then bits of fabric are cut out with special scissors. Well yes, it does take ages -and an impeccable skill as well – to make a piece like this.
And why do I have such an emotional bond with this art? I was born in Detva near Očová, and I could not only see these fine dresses being made and worn on numerous occasions as I grew up, but I also learnt to do the embroidery, though I have to say my pieces were nowhere near the exquisite work pictured above.